The Musical Prophets

PINK FLOYD & THEIR BEGININGS

2007-07-12T03:21:00.000-07:00

PINK FLOYD & THEIR BEGININGS

January: 1966
Pink Floyd make their debut appearance using that name with the line-up of Syd Barrett, Nick Mason, Roger Waters and Rick Wright. The venue is the Countdown Club in London's Palace Gate. They play for five hours with only a 20 minute break. Their fee is £ 15.
13th March:
Pink Floyd gets its first billing at London's Marquee Club.
14th October:
The band play their first real "underground" set at All Saints Hall, Powis Gardens in London having dumped all their r&b material.
15th October:
Band performs at the International Times "All Night Rave" at London's Roundhouse.
31st October:
Pink Floyd sign a management contract with Peter Jenner and Andrew King.
18th November:
A "philadelic" music event is staged at Hornsey Colege Of Art featuring Pink Floyd and light show.
November:
Peter Jenner and Andrew King take the band into Thompson Private Recorders in Hemel Hempstead to record a demo tape. Four tracks are cut, "Interstellar Overdrive", "Lucy Leave", "Stoned Alone" and "Silas Lane".
12th December:
Band plays for the first time at the Royal Albert Hall.
18th December:
Pink Floyd play The Blarney Club in Tottenham Court Road. The next week it changes its name to the UFO Club.

2007-07-10T02:24:00.001-07:00

Scorpions: Albums

Lonesome Crow (1972)
Fly to the Rainbow (1974)
In Trance (1975)
Virgin Killer (1976)
Taken by Force (1977)
Tokyo Tapes (1978, live)
Lovedrive (1979)
Animal Magnetism (1980)
Blackout (1982)
Love at First Sting (1984)
World Wide Live (1985, live)
Savage Amusement (1988)
Crazy World (1990)
Face the Heat (1993)
Live Bites (1995, live)
Pure Instinct (1996)
Eye II Eye (1999)
Moment of Glory (with the Berlin Philarmoniker, 2000)
Acoustica (acoustic, 2001)

2007-07-10T02:19:00.001-07:00

Scorpions: Later days (1991-present)

In 1993 Scorpions released Face the Heat. For the recording process, Scorpions brought in producer Bruce Fairbairn. The album's sound was more metallic than melodic and divided the band's fan base somewhat. Many "headbangers" responded positively to the album while many long time fans were put off. Neither the hard-rock single "Alien Nation" nor the ballad "Under The Same Sun" came close to matching the success of "Wind of Change". Face the Heat was a moderate success.

In 1995, a new live album, Live Bites, was produced. The disc documented live performances from their Savage Amusement Tour in 1988, all the way through the Face the Heat Tour in 1994. While the album had a much cleaner sound in comparison to their best-selling live album, World Wide Live, it was not as successful.

Prior to recording their 13th studio album, 1996's Pure Instinct, drummer Herman Rarebell left the band to set up a recording company. Curt Cress took charge of the drumsticks for the album before James Kottak took over permanently. Many feel Pure Instinct is a response to the complaints levied against Face the Heat. The album had many ballads. Still, the album's singles "Wild Child" and the soothing ballad "You and I" both enjoyed moderate success.

1999 saw the release of Eye II Eye and a significant change in the band's style, mixing in elements of pop and techno. While the album was slickly produced, fans were unsure what to make of the band, responding negatively to almost everything from pop-soul backup singers to the electronic drums present on several songs. The video to the album's first European single, "To Be No. 1", featured a Monica Lewinsky lookalike which did little to improve its popularity.
The following year Scorpions had a fairly successful collaboration with the Berlin Philharmonic that resulted in a 10-song album named Moment of Glory. The album went a long way towards rebuilding the band's reputation after the harsh criticism of Eye II Eye. Still, critics accused them of following on the coattails of Metallica's similar collaboration (S&M) with the San Francisco Symphony which had been released the previous year. Scorpions can't be completely accused of being copycats as the orchestra had first approached Scorpions with the idea back in 1995 and bands such as Kiss had been performing similar concerts years before.

In 2001, Scorpions released Acoustica, a live unplugged album featuring acoustic reworkings of the band's biggest hits, plus new tracks. While appreciated by fans, the lack of a new studio album was frustrating to some, and Acoustica did little to return the band to the spotlight.
In 2004, the band released Unbreakable, an album that was hailed by critics as a long awaited return to form. The album was the heaviest the band had released since Face the Heat, and fans responded well to tracks such as "New Generation", "Love 'em or Leave 'em" and "Deep and Dark". Whether a result of poor promotion by the band's label or the long time between studio releases, Unbreakable received little airplay and did not chart. Scorpions toured extensively behind the album, and played as special guests with Judas Priest during the British tour.

In early 2006, Scorpions released the DVD 1 Night in Vienna that included 14 live tracks and a complete rockumentary. In LA, the band spent about 4 months in the studio with producers James Michael and Desmond Child working on their new concept album titled Humanity - Hour 1, which was released in the second half of May 2007 . A "Humanity World Tour" has already started. Tourdates are available on the band's official site the-scorpions.com.

2007-07-10T02:16:00.000-07:00

Scorpions: Commercial success (1979-1990)

Following the addition of Jabs, Scorpions left RCA for Mercury Records to record their next album. Just weeks after being evicted from UFO for his alcohol abuse, Michael Schenker also returned to the group for a short period during the recordings of the album, giving the band three guitarists (though Schenker's contributions to the final release was limited to only three songs). The result was Lovedrive, an album which some critics consider to be the pinnacle of their career. Containing such fan favorites as "Loving You Sunday Morning", "Holiday" and the instrumental "Coast to Coast", the "Scorpions formula" of hard rock songs mixed in with melodic ballads was firmly cemented. The album's provocative artwork was named "Best album sleeve of 1979" by Playboy magazine but was ultimately changed for American release. Lovedrive peaked at #55 on the US charts proving that Scorpions were gathering an international following. After the completion and release of the album, the band decided to retain Michael in the band, thus forcing Matthias Jabs to leave. But after a few weeks of the tour, Michael, still coping with alcoholism, kept missing a few gigs (at one point collapsing on stage) and Matthias Jabs was brought back to fill in for him on those occasions when he couldn't perform. In April 1979, during their tour in France, Matthias Jabs was brought in permanently to replace Michael Schenker.

In 1980, the band released Animal Magnetism, again with a provocative cover showing a girl kneeling in front of a man's crotch. While Animal Magnetism contained classics such as "The Zoo" and "Make It Real", it was a critical disappointment when compared with Lovedrive. Soon after the album's release, Meine began experiencing throat problems. He required surgery on his vocal chords and there were doubts as to whether he would ever sing again.
While Meine made a full recovery, the band began working on their next album, Blackout. Don Dokken was brought in to provide guide and backing vocals so that Meine could let his vocal chords completely heal. Meine eventually healed completely and was able to finish the album. Blackout was released in 1982 and quickly became the band's best selling to date, eventually going platinum. Meine's voice showed no signs of weakness and critical response to the album was good. Blackout spawned three hit singles: "Dynamite," "Blackout" and "No One Like You".
It was not until 1984 and the release of Love at First Sting that the band finally cemented their status as rock superstars. Propelled by the single "Rock You Like a Hurricane", Love at First Sting went up the charts and went double platinum a few months after its release. However, Scorpions did manage to stir up controversy once again with their provocative album cover. This time it was a boy kissing a girl and at the same time planting a tattoo on her naked thigh. Some shops refused to sell the album, mimicking a gag from the satire movie This Is Spinal Tap that came out the same year. MTV gave the album's videos "Rock You Like a Hurricane," "Bad Boys Running Wild," "Big City Nights," and the power ballad "Still Loving You" significant airtime, greatly contributing to the album's success. The channel even supplied Scorpions with the nickname "The Ambassadors of Rock."

The band toured extensively behind Love at First Sting and decided to record and release their second live album, World Wide Live. Recorded over a year long period and released at the height of their popularity, the album was another success for the band, peaking at #17 on the charts.

After their extensive world tours, the band finally returned to the studio to record Savage Amusement. Released in 1988, four years after their previous studio album, Savage Amusement represented a more polished pop sound similar to the style Def Leppard had found success with. The album sold well, but was considered somewhat of a critical disappointment. British heavy rock magazine Kerrang! did award the album 5 K's out of 5 though.

On the Savage Amusement tour in '88, Scorpions became the first Western group to play in the former Soviet Union with a performance in Leningrad. The following year the band returned to perform at the Moscow Music Peace Festival. As a result, Scorpions developed a strong Russian fan base and still return regularly to perform throughout the area.

Wishing to distance themselves from the Savage Amusement style, the band separated from their long-time producer and "Sixth Scorpion," Dieter Dierks, ultimately replacing him with Keith Olsen when they returned to the studio in 1990. Crazy World was released that same year and displayed a less polished sound. The album was a hit, propelled in large part by the massive success of the ballad "Wind of Change". The song muses on the socio-political changes that were occurring in Eastern Europe and in other parts of the world at the end of the Cold War. On July 21, 1990 they joined many other guests for Roger Waters' massive performance of The Wall in Berlin. Scorpions performed both versions of "In the Flesh" from The Wall.

2007-07-10T02:14:00.000-07:00

Scorpions: Rise to popularity (1974-1978)

In 1974 the new line-up of Scorpions released Fly to the Rainbow. The album proved to be more successful than Lonesome Crow and songs such as "Speedy's Coming" and the title track began to establish the band's sound. Soon after, Jurgen Rosenthal had to leave as he was being drafted into the army, and was replaced by a Belgian drummer, Rudy Lenners. It wasn't until the following year that the band hit their stride with the release of In Trance. In Trance marked the beginning of Scorpions' long collaboration with German producer Dieter Dierks. The album was a huge step forward for Scorpions and firmly established their hard rock formula, while at the same time garnering a substantial fan base, both at home and abroad. Cuts such as "Dark Lady", "Robot Man" and the title track are still considered classics by fans today.

In 1976, Scorpions released Virgin Killer. The album's cover, which featured a fully nude prepubescent girl, brought the band considerable criticism and was ultimately pulled or replaced in several countries. In spite of the controversy - lead singer Klaus Meine even expressed shock - the album garnered significant praise from critics and fans alike. The following year, Rudy Lenners resigned due to health reasons and was replaced by Herman Rarebell.

The follow-up to Virgin Killer, Taken by Force, was the first Scorpions record to be aggressively promoted in the United States. RCA Records, The band's label, made numerous efforts to promote the album in stores and on the radio. The album's single, "Steamrock Fever", was added to some of RCA's radio promotional records. RCA also supervised the album cover design avoiding any controversy by including introduction-type photographs that included the names of each member under individual photos. Roth was not happy with the label's efforts and the commercial direction the band was taking. Although he performed on the band's Japan tour, he departed to form his own band, Electric Sun prior to the release of the resultant double live album Tokyo Tapes. Tokyo Tapes was released in the US and Europe six months after its Japanese release. By that time in mid 1978, after auditioning around 140 guitarists, Scorpions recruited new guitarist Matthias Jabs.

2007-07-10T02:07:00.000-07:00

History of Scorpions

Scorpions are a hard rock/heavy metal band from Hannover, Germany, best known for their '80s rock anthem "Rock You Like a Hurricane" and their singles "Wind of Change", "No One Like You", and "Still Loving You". The band has sold over 70 million records worldwide.
Formation and early history (1965-1973)

Rudolf Schenker, the band's rhythm guitarist, set out to find a band in 1965. At first, the band was school-kind with beat influences and Schenker himself on vocals. Things began to come together in 1969 when Schenker's younger brother Michael and vocalist Klaus Meine joined the band. In 1972 the group recorded and released their debut album Lonesome Crow with Lothar Heimberg on bass and Wolfgang Dziony on drums. During the Lonesome Crow tour, Scorpions opened for upcoming British band UFO. At the end of the tour the members of UFO offered guitarist Michael Schenker the lead guitar job; an offer which he soon accepted. Uli Roth was then called in temporarily to finish off the tour.

The departure of Michael Schenker led to the break up of the Scorpions. In 1973, guitarist Uli Roth, a friend of the Schenker brothers, was in a band called Dawn Road. He had been offered the role as lead guitarist in Scorpions after Michael Schenker's departure but turned the band down. Rudolf decided that he wanted to work with Roth but did not want to resurrect the last Scorpions lineup.

Rudolf Schenker attended some of Dawn Road's rehearsals and ultimately decided to join the band, which consisted of Roth, Francis Buchholz (bass), and Jurgen Rosenthal (drums). Roth persuaded Rudolf Schenker to invite Klaus Meine to join, which he did soon after. While there were more members of Dawn Road than Scorpions in the band, they decided to use the Scorpions name because they had released an album and were known in the German hard rock scene.

2007-07-09T03:39:00.000-07:00

Pink Floyd in 1984 to 2001

In 1984, the band went their own seperate ways, Rick Wright made a solo project with Dave Harris called Zee-Identity, David Gilmour made a new solo album called About Face, and Roger Waters made The Pros and Cons Of Hitch-hiking. In 1986, David Gilmour talked to Nick Mason about getting the band back together. This caused a major law suit. Roger Waters, sued David and Nick for the rights to the music, and the band name itself. Roger lost the case because Pink Floyd was never anything put into writing, but Roger was given the rights to perform Pink Floyd music at his concerts and was given ownership of The Wall and The Final Cut. In later 1986, Dave and Nick set out to make the new album, A Momentary Lapse Of Reason. They recruited an array of Musicians for the album like King Crimson's Bass Player Tony Levin, Roxy Music's Guitar Player Phil Manzenara, Vanilla Fudge's drummer Carmine Appice, Richard Wright on Keyboards and about 20 others. They took off for the road, in later 1987 under the name Pink Floyd. They recruited Gary Wallis for Drums and Percussion, Guy Pratt on bass guitar, Jon Carin on keyboards, Tim Renwick on Guitar, and the "cre`me de la cre`me" of the show, the return of Richard Wright. The 3-Year Tour concluded in August 1990, when Pink Floyd played at The Knebworth Festival. The Band took a 3 year Hiatus from Touring and Recording in 1990. Pink Floyd started recording in 1993 for their new album, The Division Bell. Richard Wright was finally back fully with the band. The band toured for 6 months. The Tour Ended after a series of 12 shows at Earl's Court London, and during their tour of Europe, David Gilmour married his girlfriend Polly Samson. For this tour they did something they hadn't done in about 20 years, they played Dark Side Of The Moon in it's entirety.Pink Floyd released a live album and video on their Division Bell tour, both featured with live Dark Side Of The Moon. The band was successful once more. In 1996, Pink Floyd was inducted into the Rock and Roll Hall Of Fame. Gilmour, Wright, and Mason performed Wish You Were Here with Billy Corgan of Smashing Pumpkins. Floyd has done no concerts since then, but made a new live album in 2000. The band made this live album from many different recordings from The Wall Shows of 1980 and 1981 in London's Earls Court and Los Angeles, with Roger Waters. Roger Waters toured in 1999 & 2000, he made a new live album called In The Flesh. In Late 2001, Pink Floyd including Roger Waters and Syd Barrett, with producer James Guthrie, made a new compilation album called Echoes. Although Floyd never did well with Compilations or greatest hits albums, this album was remastered as one continuous song like Dark Side Of The Moon, and did well in the charts.

2007-07-09T03:37:00.001-07:00

Pink Floyd: 1978 to 1983

In late 1978, Pink Floyd met together to discuss new projects, after David and Rick made solo albums. Roger presented 2 projects in demo form. The first project was rejected, that project turned out to be, Roger Waters' solo album, The Pros and Cons of Hitch-hiking. But the second project was taken, that project was The Wall. Roger had enough songs for 3 discs, but he had to get rid of a bunch of songs. November 30, 1979, The Wall is released in the UK, and the fans love it. December 5, 1979, The Wall is released in the US, and again, the fans love itt. For the tour they recruit Andy Bown on 2nd Bass Guitar, Snowy White on Rhythm Guitar in 1980, Andy Roberts on Rhythm Guitar in 1981, Peter Woods on Keyboards, Richard Wright on Keyboards, and Jon Joyce, Stan Farber, Jim Haas, & Joe Chemay on Backing Vocals. February 26th, 1980, Pink Floyd premiers The Wall Tour in Nassau Coliseum, on Long Island New York. October 1980, Pink Floyd premiers The Wall Tour in Earl's Court in London. January 1981, Pink Floyd plays The Wall in Los Angeles. April 1981, Pink Floyd Plays The Wall Show 4 times in Westfallenhalle in Dortmund, Germany. August 1981, Pink Floyd plays The Wall at Earl's Court London again, and their tour is over by September. In 1982, Rick Wright left the band for good. Pink Floyd recuited new Keyboard Players for a new project called, Spare Bricks, A Collection Of Unrealeased Songs intended for The Wall but were scratched. The new Keyboard Players were Michael Kamen on Piano, and Harmonium, and Andy Bown on organ, and synthesizer. Roger had plans to tour for the new album in November 1983, but because of tensions between each member, Roger cancelled those plans, and changed the name of the album to The Final Cut, which it probably would be if David and Nick left, but they didn't.

2007-07-09T03:29:00.000-07:00

Pink Floyd: 1970 to 1977

In late 1969, Pink Floyd released a Double Album called Ummagumma. The first disc consisted of live tracks from various live performances in 1969. The second disc consisted of solo studio tracks by each member of the band.In early 1970, Pink Floyd released their newest album Atom Heart Mother, with an orchestra playing on the 23-minute-plus title track. The band toured extensively with the orchestra supporting the album. In early 1971, Pink Floyd's executive producer Joe Boyd, made a compilation album of both released and unreleased material from Pink Floyd's past. It was called Relics. While this was going on, Pink Floyd was in the middle of making their new album Meddle with another 23-minute-plus song called Echoes. In early 1972, Pink Floyd was asked again to do another soundtrack for a movie called La Vallee or The Valley Obscured By Clouds, hence the name Obscured By Clouds came about. After Obscured by Clouds was finshed, Pink Floyd took a plane to Rome, where they took a bus to Pompeii, one of the 2 cities destroyed by Mount Vesuvius 2000 years ago. There they filmed a private concert, playing some of their best material. The video was called Live At Pompeii, which also included footage behind the making of the album of their new opus.During the time that Floyd was making Obscured By Clouds, they had written a 45-minute opus of songs that they played live. This opus was called Eclipse. It was mainly focused on society and how it alienates, controls, and destroys daily life. The original name for the opus was supposed to be Dark Side Of The Moon, but the British Blues band Medicine Head released an album the previous year of the same name. So they let the name go, until they heard that the Medicine Head album flopped on Billboard charts, so they revamped the name Dark Side Of The Moon and also wrote an end song for the opus which was called Eclipse. They turned their opus into an album in 1973, called Dark Side Of The Moon. It is the second highest selling rock record in history, compared to Michael Jackson's Thriller.To follow up their success to Dark Side of the Moon, Pink Floyd made Wish You Were Here. The album was dedicated to original lyricist and guitar player Syd Barret. During late recording of the album, Syd actually showed up to congratulate them on their success with Dark Side Of The Moon, although at first they didn't recognize him because he had gained alot of weight. During that tour they wrote yet another opus, but this one was mostly instrumental. This opus turned out to be Shine On You Crazy Diamond. It was split into 2 halves because it was too long to fit on one side of the record. During this tour Pink Floyd performed Dark Side Of The Moon in it's entirety again.After the success of Wish You Were Here, Pink Floyd took off for a year and a half to make a new album. This album was based on the aristocratic and communist lifestyles in the world. Each type of person was loosely based on an animal. And this album became Animals. Dogs were the creepy rulers of industry, Pigs were the communist tyrants, Sheep were the common folk, always being brainlessly led by the Dogs and Pigs, and Pigs On The Wing was a love song that Roger wrote to his new wife, Carolyn, the niece of the Duke of York. For the tour the band recruited Dick Parry for saxophone and Snowy White on rhythm guitar. On July 6th, 1977 in Montreal, Quebec, the last show of the Animals tour, a fan was screaming relentlessy and climbing his way up towards the stage. Roger spit on him to show disgustment. After the show, Roger felt bad about this, and escaped back to his hotel room and started writing new music, about how much he and the audience have come apart

2007-07-09T03:22:00.000-07:00

Pink Floyd in 1964-1969

In 1964, three friends; George Roger Waters (guitar), Richard Wright (keyboards), & Nick Mason (drums) (all students at the Regent Street School Of Polytechnics), formed a band called Sigma 6. Unsuccessful to get famous, The band changed their name to The T-Sets. Later in middle 1965, the band became The Abdads, with new members Clive Metcalf on bass guitar, and Keith Nobles and Juliette Gale on backup vocals. The band changed their name to both The Screaming Abdads, and The Architectural Abdabs. In 1966, Julliette Gale married Rick Wright and The Abdabs broke up. Later that year George legally changed his name to Roger. In Autumn 1966, the band became Sigma 6 again, Roger switched to bass guitar, and they recruited 2 guitar players; Bob Close and Roger Syd Barret. Before long they changed their name to The Pink Floyd Sound. Later that year, Bob Close left the band. The band finally had a chance to record their first single, Arnold Layne, a song about a crazy transvestite who steals women's clothes. Before long, they dropped the words "The" and "Sound" in the name and made their first album, The Piper At The Gates Of Dawn. The studio rented out to make the album, was right down the hall from where The Beatles were recording Sgt. Peppers, so the band got to know The Beatles very well. The band had a subsequent tour scheduled for the U.S.A., but Syd got very sick from being blasted on LSD (better know as acid). His LSD addiction helped his imagination to write songs, but around the time of A Saucerful Of Secrets, his drug habits were out of control. By the end of 1967, Syd was becoming to spaced out for his writings. The band considered getting a replacement for Syd. They recruited David Gilmour, an old friend of Roger and Syd's. Syd got guitar lessons from David in Grammar and High School. David was recruited to cover for Syd on stage. If Syd were to make a mistake, David would fill the gap, and fix it. That didn't work out. David would cover for Syd on stage while Syd stayed behind stage and wrote songs. That didn't work out. The band tried as hard as they could to keep Syd in the band, but his acid addiction took control of him and he went crazy. The band finally decided to kick out Syd. Syd wanted to see their show that night but they didn't pick him up. Goodbye Syd Barret. He was institutionalized for drug abuse in 1974. In 1968, the band continued on without Syd. This was a major tragedy in England, but not in America. Another major tragedy was when David Gilmour's Telecaster was stolen in Chicago. Later that year, the band played a gig in France, and one of the attendees of the show was famous French hippie movie director, Barbet Schroder. He asked Pink Floyd to do the soundtrack to his next picture, More, which would come out in 1969. The band also had an unreleased rock opera the played on-stage, called The Man and The Journey, which they took 3 songs from for the More Soundtrack; Sleep/Nightmare (which would become Cymbaline), Green Is The Colour, and Death (which both parts of the song became both Main Theme and Dramatic Sequence). The album and movie would be a success in Europe and Britian. The band retired The Man and The Journey before being recorded, but used one song from the album called The Narrow Way. Barbet Schroder would ask the band to do another soundtrack for another movie in 1972 called La Vallee, known in America and Britian as The Valley Obscured By Clouds.

The Musical Prophet

2007-07-06T00:04:00.000-07:00

The Life and Legacy of Bob Marley

Bob Marley was a hero figure, in the classic mythological sense. His departure from this planet came at a point when his vision of One World, One Love -- inspired by his belief in Rastafari -- was beginning to be heard and felt. The last Bob Marley and the Wailers tour in 1980 attracted the largest audiences at that time for any musical act in Europe, breaking festival records throughout the continent. The schedule included a 100,000-capacity crowd in Milan, the biggest show in the band's history.

Bob's story is that of a classic, which is why it continues to have such a powerful and ever-growing importance: it represents political repression, artistic insights, underworld warfare and various periods of mystical wilderness. And his audience continues to widen: to westerners Bob's apocalyptic truths prove inspirational and life-changing; in the Third World his impact goes much further. Not just among Jamaicans, but also the Hopi Indians of New Mexico and the Maoris of New Zealand, in Indonesia and India, and especially in those parts of West Africa from which slaves were plucked and taken to the New World, Bob is seen as a redeemer figure returning to lead this .

In the clear Jamaican sunlight you can pick out the component parts of which the myth of Bob Marley is comprised: the sadness, the love, the understanding, the God given talent. Those are facts. And although it is sometimes said that there are no facts in Jamaica, there is one more thing of which we can be certain: Bob Marley never wrote a bad song. He left behind the most remarkable body of recorded work. "The reservoir of music he has left behind is like an encyclopedia," says Judy Mowatt of the I-Threes. "When you need to refer to a certain situation or crisis, there will always be a Bob Marley song that will relate to it.
The tiny Third World country of Jamaica has produced an artist who has transcended all categories, classes, and creeds through a combination of innate modesty and profound wisdom. Bob Marley, the Natural Mystic, may yet prove to be the most significant musical artist of the twentieth century.

Bob Marley gave the world brilliant and evocative music; his work stretched across nearly two decades and yet still remains timeless and universal. Bob Marley & the Wailers worked their way into the very fabric of our lives.
"He's taken his place alongside James Brown and Sly Stone as a pervasive influence on R&B", says the American critic Timothy White, author of the acclaimed Bob Marley biography CATCH A FIRE: THE LIFE OF BOB MARLEY. "His music was pure rock, in the sense that it was a public expression of a private truth."

It is important to consider the roots of this legend: the first superstar from the Third World, Bob Marley was one of the most charismatic and challenging performers of our time and his music could have been created from only one source: the street culture of Jamaica.
The days of slavery are a recent folk memory on the island. They have permeated the very essence of Jamaica's culture, from the plantation of the mid-nineteenth century to the popular music of our own times. Although slavery was abolished in 1834, the Africans and their descendants developed their own culture with half-remembered African traditions mingled with the customs of the British.
This hybrid culture, of course, had parallels with the emerging black society in America. Jamaica, however, remained a rural community which, without the industrialization of its northern neighbor, was more closely rooted to its African legacy.
By the start of the twentieth century that African heritage was given political expression by Marcus Garvey, a shrewd Jamaican preacher and entrepreneur who founded the Universal Negro Improvement Association (UNIA).

In 1973 The Wailers also released their second Island album, Burnin, an LP that included new versions of some of the band's older songs: 'Duppy Conqueror', for instance, "Small Axe" and "Put It On" -- together with such tracks as 'Get Up Stand Up' and "I Shot The Sheriff". The latter, of course, was a massive worldwide hit for Eric Clapton the following year, even reaching number one in the U.S. singles' chart.

In 1974 Marley spent much time of his time in the studio working on the sessions that eventually provided Natty Dread, an album that included such fiercely committed songs as 'Talkin' Blues', "No Woman No Cry", "So Jah Seh," "Revolution", "Them Belly Full (But We Hungry)" and "Rebel Music (3 o'clock Roadblock)". By the start of the next year, however, Bunny and Peter had quit the group; they were later to embark on solo careers (as Bunny Wailer and Peter Tosh) while the band was re-named Bob Marley & The Wailers.

Its international success cemented Marley's growing political importance in Jamaica, where his firm Rastafarian stance had found a strong resonance with the ghetto youth. By way of thanking the people of Jamaica, Marley decided on a free concert, to be held at Kingston's National Heroes Park on December 5, 1976. The idea was to emphasize the need for peace in the slums of the city, where warring factions had brought turmoil and murder.
Just after the concert was announced, the government called an election for December 20. The campaign was a signal for renewed ghetto war and, on the eve of the concert, gunmen broke into Marley's house and shot him.
In the confusion the would-be assassins only wounded Marley, who was hastily taken to a safe haven in the hills surrounding Kingston. For a day he deliberated playing the concert and then, on December 5, he came on stage and played a brief set in defiance of the gunmen.

It was to be Marley's last appearance in Jamaica for nearly eighteen months. Immediately after the show he left the country and, during early 1977, lived in London where he recorded his next album, Exodus.

In 1978 the band capitalised on their chart success with Kaya, an album which hit number four in the UK the week after release. That album saw Marley in a different mood; a collection of love songs and, of course, homages to the power of ganja. The album also provided two chart singles, "Satisfy My Soul" and the beautiful "Is This Love".

He was then invited to the United Nations in New York to receive the organization’s Medal of Peace. At the end of the year Bob also visited Africa for the first time, going initially to Kenya and then on to Ethiopia, spiritual home of Rastafari.

At the end of the European tour Marley and the band went to America. Bob played two shows at Madison Square Garden but, immediately afterwards, was taken seriously ill.
Three years earlier, in London, Bob hurt a toe while playing football. The wound had become cancerous and was belatedly treated in Miami, yet it continued to fester. By 1980 the cancer, in its most virulent form, had begun to spread through Marley's body.
He fought the disease for eight months, taking treatment at the clinic of Dr. Joseph Issels in Bavaria. Issels' treatment was controversial and non-toxic and, for a time anyway, Bob's condition seemed to stabilise. Eventually, however, the battle proved too much. At the start of May Bob Marley left Germany for his Jamaican home, a journey he did not complete. He died in a Miami hospital on Monday May 11, 1981.
The previous month, Marley had been awarded Jamaica's Order Of Merit, the nation's third highest honour, in recognition of his outstanding contribution to the country's culture.

On Thursday May 21, 1981, the Hon. Robert Nesta Marley O.M. was given an official funeral by the people of Jamaica. Following the service - attended by both the Prime Minister and the Leader of the Opposition - Marley's body was taken to his birthplace at Nine Mile, on the north of the island, where it now rests in a mausoleum. Bob Marley was 36-years-old. His legend, however, has conquered the years.